De pictura Read ´ 107


Summary De pictura

De pictura Read ´ 107 Ä ❮Read❯ ➪ De pictura Author Leon Battista Alberti – Helpyouantib.co.uk Artist architect poet and philosopher Leon Battista Alberti revolutionized the history of art with his theories of perspective in On Painting 1435 Inspired by the order and beauty inherent in nature h Artist architect poet and philosopher LArtist architect poet and philosopher Leon Battista Alberti revolutionized the history of art with his theories of perspective in On Painting Inspired by the order and beauty inherent in nature his groundbreaking work sets out the principle. I picked up this book with a lot of hopes since this was the treatise that was said to have influenced the likes of Leonardo da Vinci However the much lesser mortal that I am I couldn't gain much out of reading this book Though Leon is said to be a Renaissance master himself modesty seems not to be one of his virtues Ego oozes out of his words in many pages He seems to have believed that he could do nothing wrong and people can all start painting in a much better way by merely following his techniues And those with alternative view points are simply brushed aside Such a egoistic attitude leaves a poor taste behindAs for the book it comprises of three chapters or as he calls them three 'books' The first one is mostly about geometrical patterns and viewpoints Though it begins easily soon it devolves into genius talks Only the second and third 'book' speak in a normal tone and are easily comprehensible and useful But as already said his egoistic attitude shines throughout the book Don't read just because it is called a 'classic' and don't read if you are hoping to learn much about painting This is a very casual work that you can do without

De picturaArtist architect poet and philosopher Leon Battista Alberti revolutionized the history of art with his theories of perspective in On Painting Inspired by the order and beauty inherent in nature his groundbreaking work sets out the principle. I picked up this book with a lot of hopes since this was the treatise that was said to have influenced the likes of Leonardo da Vinci However the much lesser mortal that I am I couldn't gain much out of reading this book Though Leon is said to be a Renaissance master himself modesty seems not to be one of his virtues Ego oozes out of his words in many pages He seems to have believed that he could do nothing wrong and people can all start painting in a much better way by merely following his techniues And those with alternative view points are simply brushed aside Such a egoistic attitude leaves a poor taste behindAs for the book it comprises of three chapters or as he calls them three 'books' The first one is mostly about geometrical patterns and viewpoints Though it begins easily soon it devolves into genius talks Only the second and third 'book' speak in a normal tone and are easily comprehensible and useful But as already said his egoistic attitude shines throughout the book Don't read just because it is called a 'classic' and don't read if you are hoping to learn much about painting This is a very casual work that you can do without

Free download ´ eBook, PDF or Kindle ePUB ê Leon Battista Alberti

De pictura ¶ Of the successful painter On Painting had an immediate and profound influence on Italian Renaissance artists including Ghiberti Fra Angelico and Veneziano and on later figures such as Leonardo da Vinci and remains a compelling theory of art. Written during the Renaissance Alberti's guide to true painting is wonderful Arguing that a true artist is very much a technician; they must know arithmetic literature and reception of light in order to make an art piece a true work of art I really enjoyed reading this and I am sure that those infatuated with art and everything to do with it will eually enjoy it Free download ´ eBook, PDF or Kindle ePUB ê Leon Battista Alberti

Leon Battista Alberti ê 7 Read

Leon Battista Alberti ê 7 Read S of distance dimension and proportion instructs the painter on how to use the rules of composition representation light and colour to create work that is graceful and pleasing to the eye and stipulates the moral and artistic pre reuisites. The extrinsic rays of light thus encircling the plane—one touching the other—enclose all the plane like the willow wands of a basket cage and make as is said this visual pyramid